Jean-Paul Riopelle (1923 - 2002)

Parler de cordes, Galarneau, 1972

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  • Gallery

    Espace 1130 - Cosner Gallery | Art dealers

  • Medium

    Original lithograph in colors on Velin d'Arches paper

  • Time

    Post-War Canadian art

  • Dimensions

    46 cm x 39.6 cm | 18.11" x 15.59"

  • Dimensions with frame

    60 cm x 47 cm / 24" x 18.5''

  • Signed

    Signed lower right and numbered VIII/XXV lower left

Yseult Riopelle, Jean-Paul Riopelle, Catalogue raisonné des estampes, Hibou Éditeurs, Montreal, 2005, p. 233, reproduced in color under reference 1972.35EST.LI.ALB

Exhibitions:
– 1996 Estampes, Centre d’exposition de Rouyn-Noranda, Quebec, H.C. VII/XXV
– 1996 Les plus belles estampes, Gal. Jean-Claude Bergeron, Ottawa, H.C. VII/XXV

Bibliography:
Riopelle, Chasseur d’images, Guy Robert, Éditions France-Amérique, 1981, p. 245

In the series *Parler de cordes* (Speaking of Strings), Riopelle draws inspiration from the string games practiced by Indigenous peoples, which he reinterprets through a personal visual language. The work here evokes Galarneau, a symbolic figure representing the Quebec sun. Contrary to what one might think, it is not a self-portrait. Riopelle personifies the sun, which our ancestors once greeted with the expression "Salut, Galarneau!" at sunrise. Although this phrase has now fallen into oblivion among younger generations, it remains alive in the Quebec imagination, notably thanks to Jacques Godbout's novel *Salut Galarneau!* Riopelle thus illustrates this emblematic expression of Quebec cultural identity.


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