Jean-Paul Riopelle (1923 - 2002)
Parler de cordes, Galarneau, 1972
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Gallery
Espace 1130 - Cosner Gallery | Art dealers
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Medium
Original lithograph in colors on Velin d'Arches paper
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Time
Post-War Canadian art
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Dimensions
46 cm x 39.6 cm | 18.11" x 15.59"
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Dimensions with frame
60 cm x 47 cm / 24" x 18.5''
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Signed
Signed lower right and numbered VIII/XXV lower left
Yseult Riopelle, Jean-Paul Riopelle, Catalogue raisonné des estampes, Hibou Éditeurs, Montreal, 2005, p. 233, reproduced in color under reference 1972.35EST.LI.ALB
Exhibitions:
– 1996 Estampes, Centre d’exposition de Rouyn-Noranda, Quebec, H.C. VII/XXV
– 1996 Les plus belles estampes, Gal. Jean-Claude Bergeron, Ottawa, H.C. VII/XXV
Bibliography:
– Riopelle, Chasseur d’images, Guy Robert, Éditions France-Amérique, 1981, p. 245
In the series *Parler de cordes* (Speaking of Strings), Riopelle draws inspiration from the string games practiced by Indigenous peoples, which he reinterprets through a personal visual language. The work here evokes Galarneau, a symbolic figure representing the Quebec sun. Contrary to what one might think, it is not a self-portrait. Riopelle personifies the sun, which our ancestors once greeted with the expression "Salut, Galarneau!" at sunrise. Although this phrase has now fallen into oblivion among younger generations, it remains alive in the Quebec imagination, notably thanks to Jacques Godbout's novel *Salut Galarneau!* Riopelle thus illustrates this emblematic expression of Quebec cultural identity.
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