Nouvelles impressions #69
Certified by Mrs. Gisèle Michelin, Galerie Maeght in Paris, October 20, 1981. # Y 17891
Published in the catalog raisonné of the works of Jean-Paul Riopelle TOME 5, Yseult Riopelle, Hibou Editeurs, 1977.053H.1977 page, 232
During the 1970s, Jean-Paul Riopelle returned to Quebec after a long absence in Europe. He set up a new workshop in Sainte-Marguerite-du-Lac-Masson in the Laurentians and took part in numerous hunting and fishing excursions in the northern territories of Quebec. On his return from these expeditions to northern Quebec, the painter created a series of oils with new energy. The geography, fauna and flora of the almost virgin territory inspire the artist who creates a series of works of varying dimensions. He uses the knife to apply the oil in a thick, stirred, even bristly way.
A multitude of works are titled New Impressions and produced during 1977.
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Jean-Paul Riopelle (1923 - 2002)
Nouvelles impressions #69, 1977
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Gallery
Galerie Cosner au Ritz-Carlton Montréal
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Medium
Oil on canvas
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Time
Post-War Canadian art
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Dimensions
16 x 24 cm | 6,2'' x 9,5''
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Dimensions with frame
21,6 x 28,5 cm | 8,5'' x 11,2''
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Signed
Signed R lower right, signed on verso
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Jean-Paul Riopelle (1923 - 2002)
Abstraction, 1966
Jean-Paul Riopelle (1923 - 2002)
Le singe , 1968
Jean-Paul Riopelle (1923 - 2002)
Tête de sanglier, 1968
Jean-Paul Riopelle (1923 - 2002)
Sans titre , 1970
Jean-Paul Riopelle (1923 - 2002)
Suite à l'année verte, 1972
Jean-Paul Riopelle (1923 - 2002)
L'Oie profilée, 1992
Jean-Paul Riopelle (1923 - 2002)
Hibou I, 1970
Jean-Paul Riopelle (1923 - 2002)
HIbou III, 1970
Jean-Paul Riopelle (1923 - 2002)
Affiche avant la lettre, no.120, 1970