Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56)
Little's attachment to Montreal is evident in his works, which often showcase the city's architecture, street scenes, and busy city life. His paintings are considered a visual record of Montreal in the late 20th century, and provide a glimpse into the city's rich cultural heritage and bustling energy. Little's attachment to Montreal likely stems from his love for the city and his desire to capture its essence in his paintings. Through his art, he was able to connect with the city and its people, and his works continue to be valued for their ability to capture the spirit of Montreal and its residents.
John Little (1928 - -)
Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56), 1992
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Gallery
Cosner Art Gallery - Montreal
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Medium
Oil on canvas
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Time
20th century
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Dimensions
30,5 x 40,6 cm | 12'' x 16''
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Dimensions with frame
54,6 x 40,6 cm | 21,5'' x 25,2''
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Signed
Signed lower left, signed, titled and dated on verso
John Little (1928 - -)
St-Henri skating ring, corner Agnes St., 1969
John Little (1928 - -)
St-Dominique Street at La Gauchetière, Old General Hospital on the right, 1960
John Little (1928 - -)
Untitled ( woman from behind)
John Little (1928 - -)
La patinoire sous le chemin de fer, rue Knox, Pointe-St-Charles (Lornes School), Montréal, 1977
John Little (1928 - -)
Winter day on Clark street, Montreal (looking south-west side), 2012
John Little (1928 - -)
Carré Saint-Louis, Montréal , 1969
John Little (1928 - -)
Crépuscule, Prince of Whales Terrace, rue Sherbrooke Mtl, 1990
John Little (1928 - -)
Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56), 1992
John Little (1928 - -)
Chez Therese, rue Beaudry and La Gauchetiere, 1960