Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56)
Little's attachment to Montreal is evident in his works, which often showcase the city's architecture, street scenes, and busy city life. His paintings are considered a visual record of Montreal in the late 20th century, and provide a glimpse into the city's rich cultural heritage and bustling energy. Little's attachment to Montreal likely stems from his love for the city and his desire to capture its essence in his paintings. Through his art, he was able to connect with the city and its people, and his works continue to be valued for their ability to capture the spirit of Montreal and its residents.
John Little (1928 - -)
Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56), 1992
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Gallery
Cosner Art Gallery - Montreal
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Medium
Oil on canvas
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Time
20th century
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Dimensions
30,5 x 40,6 cm | 12'' x 16''
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Dimensions with frame
54,6 x 40,6 cm | 21,5'' x 25,2''
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Signed
Signed lower left, signed, titled and dated on verso
John Little (1928 - -)
Rue D'Artigny, Québec, 1961
John Little (1928 - -)
Restaurant Gaetane rue Logan at Champlain, 2004
John Little (1928 - -)
St-Henri d'autrefois, 1972
John Little (1928 - -)
Côte- Ste-Geneviève, Québec
John Little (1928 - -)
Laval Street, Montreal , 1963
John Little (1928 - -)
Untitled, 1953
John Little (1928 - -)
Les arbres de la rue Berri, Montréal, 1973
John Little (1928 - -)
Rue St-Urbain d'autrefois, 1980
John Little (1928 - -)
Trois-Rivières Québec