Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56)

Little's attachment to Montreal is evident in his works, which often showcase the city's architecture, street scenes, and busy city life. His paintings are considered a visual record of Montreal in the late 20th century, and provide a glimpse into the city's rich cultural heritage and bustling energy. Little's attachment to Montreal likely stems from his love for the city and his desire to capture its essence in his paintings. Through his art, he was able to connect with the city and its people, and his works continue to be valued for their ability to capture the spirit of Montreal and its residents.

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John Little (1928 - -)

Église Ste-Cunégonde, traverse chemin de fer rue Vinet, St-Henri (56), 1992

  • Gallery

    Cosner Art Gallery - Montreal

  • Medium

    Oil on canvas

  • Time

    20th century

  • Dimensions

    30,5 x 40,6 cm | 12'' x 16''

  • Dimensions with frame

    54,6 x 40,6 cm | 21,5'' x 25,2''

  • Signed

    Signed lower left, signed, titled and dated on verso

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