Le coup de grâce
Sculpture in polychromed resin from the judges serie in 1989.
From 1977, Normand Hudon finally lives fully from his painting. In his work, his background as a caricaturist, illustrator and actor comes to light in caustic and colorful works. His sagacious spirit and the well-honed sense of repartee that he showed from a young age mark the themes he brilliantly exploits. From monks to magistrates, through scenes of daily life and children's games, Hudon's works appeal to the carefree memories of youth.
His favorite subjects? Daily life, working-class neighborhoods and Quebec at the advent of the Quiet Revolution. The impression that emerges from his paintings is that of a childish and mischievous gaiety. Thus, Normand Hudon offers us a personal and creative vision of his childhood "drowned in holy water".
Normand Hudon (1929 - 1997)
Le coup de grâce, 1989
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Gallery
Cosner Art Gallery - Montreal
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Medium
Polychromed resin
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Time
Post-War Canadian art
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Dimensions
33 x 24 x 15 cm | 13'' x 9,5'' x 6''
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Signed
Signed, titled, dated and numbered on verso
Normand Hudon (1929 - 1997)
La partie de P'lote, 1984
Normand Hudon (1929 - 1997)
Ski de fond, 1984
Normand Hudon (1929 - 1997)
La rentree, 1984
Normand Hudon (1929 - 1997)
Notre client est un innocent, 1991
Normand Hudon (1929 - 1997)
La course , 1984
Normand Hudon (1929 - 1997)
Pis là, là, vous avez the plus old house roge end d'Québec, 1984
Normand Hudon (1929 - 1997)
Sœur Angélique, Monique et bien sûr Dominique, 1984
Normand Hudon (1929 - 1997)
Dura lex sed lex ! (La loi est dure mais c'est la loi !)
Normand Hudon (1929 - 1997)
La rentrée hâtive du révérend Alcide et de ses protégés, 1991