Cavalier au bord de la mer
The two main foundations of Jean-Paul Lemieux's creation are time and space. Time is often exploited by the nostalgia of a happy childhood, moments spent with the family by the sea.
Drawing on his imagination, Jean-Paul Lemieux turns to himself and undertakes variants of his own works with recurring themes. One of these is the rider, in back view. The painter always seeks to give a direction to being by the position of his mount. The nude is another variant developed by the artist. These subjects are often children, naked and chaste. Here, in the painting titled Le cavalier au bord de mer, he brings together these two key themes of his creation.
Quite simply, this work depicts a boy staring at the stormy horizon, presaging that the end of the day at the beach is approaching. The position of the young rider suspends time and the latter seems to want to ignore the agitation of the dog and the tumults of the sea.
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Jean-Paul Lemieux (1904 - 1990)
Cavalier au bord de la mer
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Gallery
Cosner Art Gallery Ritz - Carlton Montreal
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Medium
Oil on canvas
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Time
Post-War Canadian art
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Dimensions
25,4 x 30,4 cm | 10'' x 12''
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Dimensions with frame
53 x 58,4 cm | 21'' x 23''
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Signed
Signed lower right, titled on verso
Jean-Paul Lemieux (1904 - 1990)
La femme au collier, c. 1985
Jean-Paul Lemieux (1904 - 1990)
The Dog Sled Race, 1957
Jean-Paul Lemieux (1904 - 1990)
Magog, 1936
Jean-Paul Lemieux (1904 - 1990)
Young man with hat , 1962
Jean-Paul Lemieux (1904 - 1990)
Warwick, 1950
Jean-Paul Lemieux (1904 - 1990)
Filets de pêche Port-au-Persil, 1953
Jean-Paul Lemieux (1904 - 1990)
Prés champêtre Port-au-Persil, Charlevoix, 1952
Jean-Paul Lemieux (1904 - 1990)
Cavalier au bord de la mer
Jean-Paul Lemieux (1904 - 1990)
La Traversée, du livre illustré "La Petite Poule d'eau", 1971