Dark Background with White Squares
Price upon request
Provenance: Pierre Matisse Galerie , New York
Catalogue raisonné # 1964.033P.1964, Tome 3 page 318
Published: Riopelle Chasseurs d'images , Guy Robert, Editions France-Amérique, Montréal, 1981, page 230.
Expositions:
Paris, Didier Imbert Fine Art, Jean-Paul Riopelle: Les années soixante, May - July 1994
Montreal, Galerie Simon Blais, Jean Paul Riopelle: Papiers Géants, Oeuvres sur papier de grand format, August - September 2007
New York, Acquavella Galleries, Riopelle: Grands Formats, September - October 2009
It is from the year 1964 that Jean-Paul Riopelle begins mixed media. The production of the artist that year is impressive and is characterized by works of very large formats. He perpetuates in these paper works the grandiosity of those in oil and named "figures" presented a year earlier, in Paris, during the exhibition Riopelle beyond 120.
The 1965 exhibition by Pierre Matisse in New York, with the exception of the work La Bolduc, oil painting (Place des Arts collection) and The Tree, 26 works in mixed media of very large formats. In these works presented, it is possible to detect the pictorial clues that will lead Riopelle to the subsequent key periods of his career as the Iceberg production a decade later.
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Jean-Paul Riopelle (1923 - 2002)
Dark Background with White Squares, 1964
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Gallery
Cosner Art Gallery Ritz - Carlton Montreal
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Medium
Mixed media
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Time
Post-War Canadian art
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Dimensions
Artwork's dimension: 131 cm x 235 cm / 51,6'' x 92,5'' Dimension with frame: 53,6'' x 94,5''
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Signed
Signed lower right
Jean-Paul Riopelle (1923 - 2002)
Le singe , 1968
Jean-Paul Riopelle (1923 - 2002)
Abstraction, 1966
Jean-Paul Riopelle (1923 - 2002)
Testament de l'Oye, 1990-1996
Jean-Paul Riopelle (1923 - 2002)
Sans titre, 1970
Jean-Paul Riopelle (1923 - 2002)
Feutré, 1979
Jean-Paul Riopelle (1923 - 2002)
Untitled (green) , 1985
Jean-Paul Riopelle (1923 - 2002)
La tortue 2, 1968
Jean-Paul Riopelle (1923 - 2002)
Au-de-ça, 1972-1989-1995
Jean-Paul Riopelle (1923 - 2002)
Untitled, 1968